Händel* - Robert Tear • Felicity Palmer • Maureen Lehane • Paul Esswood, Peter van der Bilt • Stockholmer Kammerchor*, Concentus Musicus Wien, Nikolaus Harnoncourt - Belshazzar (4xLP + Box)
Information | |
Label | Telefunken |
Gerne | Classical |
Format | Vinyl 4 LP |
Media-Condition | Mint (M) |
Sleeve-Condition | Mint (M) |
Release Country | Germany |
Release Date | 1976 |
Product Code | 6.35326 |
Comments | Factory sealed, unopened, shrink wrap slightly broken |
Tracks | |
Track List | Belshazzar A1 Overture Act One Scene 1 A2 Nitocris (Accompagnato Ed Arisoso): Vain, Fluctuating State A3 Nitocris (Air): Thou God Most High a4 Nitocris (Recitative): The Fate For Babylon; Daniel (Recitative): Oh Much… A5 Daniel (Air): Lament Not Thus Scene 2 A6 Chorus |
Notes
© 1976, ℗ 1976Durations: Side A: 22:57. Side B: 23:17, Side C: 27:24, Side D: 18:02, Side E: 20:46, Side F: 17:35, Side G: 23:19, Side H 20:35
On spine: Händel • Belshazzar • Harnoncourt
32 p. 12" booklet with: Credits, Liner Notes and "Textbeilage und vollständigem Libretto / Program notes and texts enclosed / Texte et livret annexées" and 3 Photos with Händels handwriting
The tracklist was created on the basis of the booklet as well as the website [https://www.harnoncourt.info/haendel-belshazzar/?timeline_year=1976&timeline_search=belshazzar]
The Instruments:
Naturtrompeten in D: Meinl&Lauber, Geretsried 1972 - Pauken: Wien 18. Jh. - Oboen: P. Paulhahn, deutsch um 1720; Paul Hailperin, Wien 1974 nach P. Paulhahn - Violinen: Jacobus Stainer, Absam 1665; Joachim Tielke, Hamburg 1687; Jacobus Stainer, Absam um 1660; Mittenwald 18. Jh.; Barak Norman, London 1709; England, 18. Jh.; Jacobus Stainer, Absam 1677; Mathias Albanus, Bozen 1712; Italienisch, 18. Jh.; Klingenthal, 18. Jh.; Ulrich Eberle, Prag1734; Sebastian Klotz, Mittenwald 1740; Mittenwald, Mitte 18. Jh.; - Violetta: Mathias Thier, Wien 1606 - Viola: Tirol, 17. Jh. - Tenorviola: Tirol, 17. Jh. - Violoncelli: Italien um 1600; Pieter Romboutsm Amsterdam 1711; Andrea Castagneri, Paris 1744 - Violonen: Antony Stefan Posch, Wien 1729; Domenico Montagna, Venedig, deutsch 1720 - Fagott: Kaspar Tauber, Wien, Ende 18. Jh. - Cembalo: Martin Skowronek, Bremen, nach einem italienischen Instrument um 1720 - Orgel: Truhenorgel von Jürgen Ahrendt, Loga bei Leer 1972
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